荆棘鸟高中生英文读后感作文

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  《荆棘鸟》是一本好书,没有多么复杂与华丽,单纯的好看,单纯的感人。关于《荆棘鸟》的英语读后感要怎么写呢,下面是小编为大家整理收集的关于小说荆棘鸟高中生英文读后感作文,欢迎大家阅读!

  荆棘鸟高中生英文读后感作文

  Writers of books such as Le Mis, Gone with the Wind and The Thorn Birds seemed to have all the time in the world, nothing to do but tell you a story, from the moral of the tale, the fate of the characters to details such as the color of one’s hair when the morning light strikes.

  “Sit down, child. Let me tell you a story of a lifetime. Listen to me, not just for a day, a month, but a year. Keep me company and I will tell you all the wisdom I know, just listen to my story.” The book seems to say.

  Some say The Thorn Birds is the Gone with the Wind of Australia. It does remind you of it, the small print, the length of the book, the expanse of the story and the fineness of the details. But I don’t see the resemblance in the souls of the two books. Meggie lived for another man while Scarlett lived for herself. One so soft you pity her, the other so headstrong you can’t bother feeling sorry for her. One can’t hold on to the man she loves, the other threw aside her one true love.

  In spirit, it’s more like The Scarlet Letter. Forbidden love is always more tantalizing than romance of plain nature, always more intense with a lifetime of bittersweet aftertaste. Let’s not envision what would have happened if the fallen priest does marry the woman he loves. Reality never fails to rub the shine off any great passion. It’s the best cure to love-sickness.

  Ralph, the handsome priest, so charming and perfect that from an old woman of seventy to a child of ten, no woman can escape from his pull, whether or not he does any intentional pulling. He was made for trouble, tall and attractive, but cloaked in the soutane of a priest. And above all his faith, his love for the church and for God, is there anything more frustrating than a perfectly sculptured man, trained with the elegance of a gentleman and the pureness of a saint, but thrown into the lay crowd, to be loved and adored, but not touched.

  Our little Meggie steals the readers’ hearts right from the start. With its nearly 600 pages of flowing words and unrolling scenes, I remember the first scene the best. It’s the one that touches me the most. It tells you right away who is the gentle victim of the whole epic.

  Little Meggie, dressed in her Sunday best, was squatting down behind the gorse bush, holding her very first gift on her fourth birthday. It was a little doll, bought from a store in town with money, with money! Meggie saw the doll in the store on her only trip to town and fell in love with it. Their lives on the raw land in rural New Zealand in the early twentieth century didn’t involve much buying, not to mention wasting money on buying a gift for a little girl, even a very good little girl.

  She held Agnes, the name she gave the doll the moment she saw it. She marveled at the doll’s golden hair, her cream lace dress and her eyes that close when you lie her down and then open when you stand her up. Agnes was all the desire that Meggie knew and she sat there taking it all in.

  It’s a sweet picture until the boys came into the scene. Meggie’s elder brothers saw their baby sister so engrossed that they had to poke their noses in. I knew it smelt of trouble and I wish I had the power to push the stop button and erase the boys or turn their crude minds elsewhere. But that’s not to be. Little Meggie will be hurt by little boys, just like the older Meggie will be hurt by grown men. No one can push the stop button and rewrite the scene.

  The boys took the doll that was barely warm in Meggie’s hands, with their rough and dirty paws pulled the doll apart, like dissecting anything that they didn’t understand. It’s all just some plastic to them, no feelings.

  My heart aches for little Meggie, so helpless, so young and so weak. She cried and begged but she couldn’t get her doll back. Tears washed down her face, blurring her entire world. On her fourth birthday, she learned what it meant to have her heart broken. And she was to know more.

  Do you believe in fate? Do you believe in destiny? You know how in some movies you just know two people will fall in love even before they have a chance to speak. Like Meryl Streep and Client Eastwood in Bridge of Madison County; like Matthew and Mary in Downton Abbey. There is no other way. Ralph was bound to love Meggie. Meggie was made for the sacrifice.

  But of course such a huge piece of work is not just a love story, as forbidden as it is. Maybe people will close the book with different answers to the question of “What’s the book about?” I won’t be surprised if many say that it’s about the love story between a handsome Catholic priest and a gentle woman who is used to suffering. It is the most prominent theme of the book. But it’s much more than that. It’s also about the harsh conditions of making a living in the new land of Australia in the early 20th century. It was a constant battle with droughts and sand storms and endless flies, with loneliness and helplessness in face with the severity of nature at its raw state.

  I will also remember it as a book about the suffering of women, especially in the hands of men, all kinds of men. Meggie’s brothers deprived her of her first gift in life, but this grief will be forgotten in face of the many more to come. The man who thought of her as the love of his life traded her for 13 million pounds, which bought him his future career. He has loved her ever since he saw her as a timid ten year old, but it’s not enough to lead him astray from his path in serving God. For her whole life, she would feel abandoned by her Ralph. She lost, even if it’s to God.

  Then there was her husband Luke, who married her for her money and took every penny, and then sent her to work as a housemaid in exchange for more money. I wonder if Meggie hadn’t felt so abandoned by Ralph and given up on love, would she have accepted this? Even then, Luke left her to make more money. She was a beautiful woman, yet somehow, not wonderful enough to hold any man. But the truth is, the men were not good enough to deserve her.

  Meggie’s mother also had her scar in life. She was the daughter of a prominent family. An affair with a married man left her with a child and rejection from her family. The married man had too much to loose to marry her, or even to reveal who he was. Her own father married her and the child to one of their farm hands in exchange for taking them away. From then on, it was endless house chores and farm labor, then child bearing and raising the children.

  Is there a happy woman in the story?

  Even the rich old widow, Mary Carson, the most powerful figure in the region who owned all the property and money, wasn’t happy. She was also in love with the perfect priest, who was decades younger and detested her. Her only satisfaction was in knowing that the one whom she loved would be tortured. She made him choose between an inheritance of 13 million pounds and fulfilling his love with Meggie.

  The only happy woman, or a woman who had a chance of being happy, was Justine, daughter of Meggie and Luke. She was rebellious and dared to go after what she desired. She always knew what she wanted and always went after what she wanted. She despised men but was lucky enough to have met one that treasured her and waited for her awakening.

  But above all these, I think the author wants to write about the power of fate, the force of nature, the tendency for us to be whom we are meant to be even if it leads to suffering. I think she wants to say that all the struggle and going against the current are just people being what they are meant to be. Meggie was meant to be in love, forever, even if it meant she would be unhappy all her life, except the few times that his love for her was confirmed and their relationship fulfilled. She knew he would leave her, to seek his own destiny of being married to the church. She couldn’t change her own destiny and she couldn’t change that of another man. But she had him. She only needed it once to know that she was In love. She didn’t just love.

  For that one confirmation she would suffer for the rest of her days. But just like the thorn birds, she lived for that one song to sing.

  荆棘鸟读后感800字(875)字

  《荆棘鸟》是一部澳大利亚的家世小说,以女主人公梅吉和神父拉尔夫的爱情纠葛为主线,描写了克利里一家三代人的故事。时间跨度达半个多世纪之久,横越了第二次世界大战。年富力强的神父拉尔夫一心向往罗马教廷的权力,但他爱上了牧主克利里的女儿,美艳绝伦的梅吉,内心处于权力与爱情的矛盾挣扎之中,从而引发了一连串的故事。以两位主人公为中心,展开了克利里家族十余名成员各自的人生悲欢离合。作品情节生动,结构严密,具有强烈的艺术感染力,有澳大利亚的《飘》之称,被《时代》杂志列为十大现代经典作品之一。

  在这个连婚姻都成为速食的年代,我开始怀疑世间是否有真的爱情存在?

  《荆棘鸟》是我在夜深无人,孤单的不能入睡的时候读的。考琳·麦卡洛真是大手笔,书中祖孙三代的爱情,就在她的笔下娓娓道来,凄美的令人心痛。

  对于荆棘鸟的传说,我早有耳闻,知道有那么一只鸟,一生只唱一次,可那一次,却是世间最凄美的绝唱。它从离开巢窝的那一刻起,就在寻找着荆棘树,直到如愿以偿,才歇息下来。然后,它把自己的身体扎进最长,最尖的荆棘上,便在那荒蛮的枝条之间放开了歌喉。那歌声会使云雀和夜莺都黯然失色。它歌唱着,歌唱着,直到呕出了血淋淋的心。然而,整个世界都在静静地谛听着,上帝也在苍穹中微笑。因为最美好的东西只能用最深痛的巨创来换取!

  梅吉和拉尔夫的爱情是贯穿全文的主线。单纯美丽的梅吉爱上了神父拉尔夫,拉尔夫也深爱着梅吉。可是在宗教信仰下,拉尔夫一心向往着罗马教廷的权利,内心处于权力与爱情的深刻的矛盾之中,从而引发出一连串感人至深的故事。他是不能有爱的,他的一生只能献给上帝。在中国有一句古话,叫鱼和熊掌不可得兼,舍鱼而取熊掌也。拉尔夫懂得取舍,他选择了权利而非爱情。我为女主人公而流泪,权利权利,在男人的眼中,向上慢慢的爬,永远都比身边的女人要重要,哪怕他爱的要死去。等到要死的时候或许会明白过来,原来失去的才是熊掌而并非鱼。

  这是一场凄美绝伦又扣人心弦的爱情故事。我想世间不是没有爱情,而是没有遇到,或许不久的某一天,我也会成为一荆棘鸟,泣血而歌,曲终而命竭。

  最美好的东西只能用最深痛的巨创来换取!

  荆棘鸟读后感

  《荆棘鸟》原是社团交换礼物时获得的,断断续续地读了一年,直到近期才有机会将它重新认认真真地再读一遍。倒不是觉得它叫人难以阅读,而是比起悲剧,我更偏爱圆满的结局,而《荆棘鸟》在我看来是关于爱情和信仰的悲剧。

  从卷首语关于荆棘鸟的传说,到围绕着菲、梅吉、朱丝婷三代女人,在跨越两次世界大战、一次经济衰退的时间里发生的各种各样的故事,以及其中夹杂着的对于战争、自然、移民的描写,总能触发关于爱情、亲情和宗教的思考。菲由于未婚生子,不得不从贵族少女变成牧场的剪羊毛工帕迪的妻子,其中社会地位的转换和生活环境的巨大变化,让她在很长的一段时间里,麻木而冷漠地面对生活,昼夜不停地劳作,直至帕迪死亡,菲才意识到原来自己早就在多年的共同生活中爱上了帕迪。梅吉作为被菲忽略的孩子,在成长过程中,虽然有父亲和哥哥的陪伴,但是从生活到思想上都被拉尔夫关怀教导着,不难想象在最终少女情窦初开之时,梅吉爱上了拉尔夫。但是拉尔夫有自己的追求和野心,对于天主教会中至高权利的向往让他毅然放弃爱情,在人性和神性的煎熬中,即使他极力想要忠诚于信仰,却又屈服于内心的情欲,释放了自己作为人的人性。即便他努力克制自己对于梅吉的感情,最终还是隐秘地在一起了,并且从上帝那里偷来一个属于拉尔夫和梅吉的孩子——戴恩,然而戴恩还是被还给了上帝,痴迷于宗教的戴恩,在成为传教士后,为了搭救溺水者而亡。这样的结局就仿佛是上帝的安排,是一种循环和暗示,死亡成为了“罪行”审判和终结。作为母亲,梅吉带着完全不同的态度面对她的女儿朱丝婷和儿子戴恩。戴恩是禁忌的产物,是梅吉对于拉尔夫的爱情寄托,她全心全意地爱着这个孩子。而对于朱丝婷,就如同自己的母亲菲忽略了自己一般,梅吉忽略了朱丝婷。或许是生活的时代发生了变迁,朱丝婷拥有着和母亲、外祖母完全不同的生活追求,她不再用一生去追求虚无缥缈的爱情,她更加渴望拥有对于未来的驾驭权,她寻求的是自我价值的实现,她最初用抵制爱情与婚姻的极端方式作为对于男权统治的社会的反抗,但是最终拥有那个愿意等待的雷恩,等待朱丝婷自己明白她会成为他的妻子的男人,而最终走向了世俗的幸福。无论是菲的对生活的妥协,梅吉对生活的一点点的反抗,但在儿子去世后又信服了上帝,还是朱丝婷的顽强抵抗以及不将就,最终获得自己想要的生活。这让我觉得每一个人都是荆棘鸟,都渴望找到自己的荆棘树。有的人找到了,于是曲终命竭,有的人依旧还在寻找的路途中,在找到前绝不歇脚,而美好的东西总是要用深痛巨创来换取。虽说《荆棘鸟》不是什么恢弘巨著,但是依旧值得在闲暇时光中用来打发时间,毕竟个体不同,对书的见解也会不尽相同。

  关于生命关于爱——读《荆棘鸟》有感

  1998年,最感动中国人的是两个小姑娘,张穆然和桑兰。那时,正在上初中的邻居姐姐订阅了《北京青年报》。我经常跑到她那里,贪婪的阅读。某日,北京青年报头版报道了一个患绝症的女孩——张穆然乐观抗癌的故事,她说自己最喜欢的书是《荆棘鸟》。

  巧合的是,两年后,我从同学那里借到了一本封面破旧不堪《荆棘鸟》,自此,我进入了作者描绘的美丽的澳洲,还有美丽的故事!

  我用了大约二十来天的时间读完了它,白天上课偷着读,晚上在家里昏黄的灯光下读。很多细节,让我默默品味。在书中,作者创造了完美,又亲自摧毁了完美。我希望赶快读完它,却舍不得那么快就翻到最后一页,是害怕读完之后会感觉失落。它对我的影响极为深刻,之所以喜欢这本书,是因为它关于青春、关于坚强、关于回恋。

  这是一部世界著名的家世小说,以女主人公梅吉和神父拉尔夫的爱情纠葛为主线,描写了克利里一家三代的故事。拉尔夫一心向往教会的权力,却爱上了克利里家的美丽少女梅吉。为了他追求的“上帝”,他抛弃了世俗的爱情,然而内心又极度矛盾和育苦。以此为中心,克利里家族十余名成员的悲欢离合也得以展现。

  《荆棘鸟》是一本好书,没有多么复杂与华丽,单纯的好看,单纯的感人。菲和帕迪,梅吉和拉尔夫,梅吉和卢克,安妮和路迪,朱丝婷和雷恩,这并不是一个多么迂回曲折的故事,但是让我们永远的记住了玫瑰灰,记住了爱情即使在被摈弃后依然不会蒙尘。书中的描述似乎是时光呼啸而过,而最无望最深切的表白让人深深叹息与眷恋。

  不仅仅是故事情节,书中对新西兰和澳大利亚风景的描写深深地吸引了我,广袤的牧场,神奇的天火,世俗的悉尼港口,湿热的甘蔗林,一切的一切全部深深地吸引着我,以至于直到现在,我还对大洋彼岸有着特别神往的感觉。

  “有一个传说,说的是有那么一只鸟,她一生只唱一次,那歌声比世界上所有一切生灵的歌声都更加优美动听。从离开巢窝的那一刻起,她就在寻找着荆棘树,直到如愿以偿,才歇息下来。然后,她把自己的身体扎进最长、最尖的荆刺上,便在那荒蛮的枝条之间放开了歌喉。在奄奄一息的时刻,她超脱了自身的痛苦,而那歌声竟然使云雀和夜莺都黯然失色。这是一曲无比美好的歌,曲终而命竭。然而,整个世界都在静静地谛听着,上帝也在苍穹中微笑,因为最美好的东西只能用深痛巨创来换取……”书中这段关于荆棘鸟的文字很玄,我对它很是崇拜,长大后,一遍遍的重读,才渐渐品出那个传说所背负的命运和情感。

  后来也是在报纸上,看到采访张穆然父亲关于单独家庭失去孩子的生活,让我再一次回想起乐观的张穆然,想起《荆棘鸟》,想起那个夏日的午后,阳光暖暖,一个女孩子,正废寝忘食的读一本书。无论是真事还是故事,随着时间流逝,都在记忆中慢慢封存,但是《荆棘鸟》,让我感受到勇敢和坚定,重新审视生命,审视爱。

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